Kitten’s Hiss, 2026
Glass dome, soap wax, metal wire | 15 x 26 x 15 cm
‘Kitten's Hiss’ gestures towards danger without fully embodying it and explores the instability of perceived threat, questioning how context shapes our understanding of danger. What appears hostile is ultimately contained, exposing the distance between fear and reality.
GOLDFISH (series), 2026
Mixed media | 25 x 25 x 25 cm
This series examines containment as both a physical condition and a psychological construct. It reflects on the ways boundaries are absorbed, negotiated and embodied, considering how the limits we perceive become the limits through which we understand our own potential.
Meaning Is the Past Trying to Define the Future, 2026
Wood, paper, ink, acrylic paint, PVA glue | 15 x 15 x 15 cm
This work positions text as a physical carrier of thought and memory, where meaning emerges through accumulation, revision and interpretation rather than resolution. With a nod to Roland Barthes' The Death of the Author, it locates meaning in the act of reading rather than authorial intention.
GOD, 2026
Batten light, acrylic paint | 66 x 10 cm
Original, 2026
Re-woven IKEA bag, permanent marker, ornate picture frame (sized to accommodate a piece with the same dimensions as Vincent van Gogh's ‘The Parsonage Garden at Nuenen in Spring’) | 65 × 33 cm
Through the deliberate misalignment of authorship, material, signature and title, 'Original' invites reflection on how originality is attributed and how artistic value is constructed.
UNIQUE 1 of 1, 2026
Debossed Somerset Satin paper, graphite pencil
'Unique 1 of 1' questions the systems through which artistic value is constructed, authenticated and commodified. By examining the relationship between rarity, exclusivity and desirability the work challenges the assumption that scarcity determines significance, while reflecting on the instability of uniqueness itself. It considers whether originality can ever exist independently of the shared cultural frameworks that shape perception, revealing uniqueness as both constructed and unstable.
My Truth Has to Be Yours, 2026
Debossed Somerset Satin paper
Illusion, 2025
Wooden frame, paper, cotton string, wax, tape | 26 × 80 cm
Armo, 2025
Wax, wood, nail, satin | 18 x 22 x 14 cm
Dark Beam, 2025
Wax, metal sheet, cellophane, paper | 17 x 65 x 10 cm
Window #1, 2025
Reclaimed window frame, metal thread | 65 × 50 × 5 cm
Take/Give (Madness), 2025
Thermal till roll, oil pastel, thread
‘Take/Give (Madness)’ is mixed-media installation about memory, fragmented reality and the disintegration of thought, intertwined with the transformative journeys of redemption and forgiveness.
The, 2025
Screen print on aluminium | 80 × 80 cm
Comfort Blanket of Blame, 2024
Photographic prints
My Eggs Are Broken, 2023
My Eggs Are Broken is a documentary project visualising the effects of Endometriosis, a non-infectious and non-contagious condition suffered by about 10% of women of reproductive age.
Being an Endometriosis sufferer myself, I used my own experiences as a starting point for this project as well as conducting extensive research and by interviewing other women living with the illness. Other than the common symptoms, the issues raised by all the women interviewed included isolation, long waiting times for care and the feeling of not being listened to by doctors.
Through this work I wish to increase awareness, to medical professionals who are often unequipped and unspecialised as to the difficulties faced by so many women all over the world, as well as to the undiagnosed sufferers. Women themselves have often not heard about the illness and a significant number of healthcare professionals have grave misconceptions about the symptoms. Many women cannot get help in a timely manner, or at all.
I have approached the subject through conceptual impressions of the condition, utilising constructed imagery, and depicted my own personal experiences with a more representational approach. I use symbolism and metaphorical reflections to examine and explain this complex subject. The fundamental question I wish to raise is the human right, women’s right, to quality of life which needs to be taken seriously.
Loss, 2023
Photographic project examining experiences of loss.
people = business = people, 2022-
'people = business = people' was a project looking into the challenges faced by small independent businesses in the UK, particularly hospitality and retail. Since 2022 I have been conducting a photographic study of the empty and closed shop fronts, most of the pictures have been taken on the High Street in Fort William, Scottish Highlands. However, the demanding situation faced by independent businesses is not limited to the area of the Highlands or Scotland. Due to the recent years’ events, such as Covid-19 pandemic, staff shortages, energy crisis and cost of living crisis, small businesses everywhere in the UK are facing enormous challenges.
These issues are magnified in the Scottish Highlands where staffing and high costs have been topics of concern over a long period of time and investment by the government, compared to the size of the area, is low. In the town of Fort William the repercussions are visible on the High Street where various commercial units are lying empty and businesses are having to close part of the time due to lack of staff.
According to the UK Government’s latest research, 99.9% of private sector businesses in the UK were Small and Medium-size enterprises (SME’s), however their turnover only accounted only for 51% of the UK total and only 49% were registered for VAT or PAYE (GOV.UK 2022). Considering that 0.01% of businesses account for about half of the total revenue made by companies, big business is obviously a priority to the decision makers.
The noun 'business', a stakeholder or a decision maker, can be mistaken as a large faceless profiteering corporation but according to GOV.UK 74% of the private sector did not employ anyone other than the owner(s) and over majority of the companies that did, only had 1-9 employees.
Implications to business means implications to people, whether they are owners or employees.
